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Artist: Uli Jon Roth
Year: 1995 year
Total Length: 60:13 min
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Song |
Bitrate |
Length |
Size |
# |
| 1 |
Prologue To The Symphonic Legends - Bridge To |
160 |
4:44 |
5,41 Mb |
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| 2 |
Prologue To The Symphonic Legends - Thunder Bay |
160 |
2:05 |
2,38 Mb |
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| 3 |
Prologue To The Symphonic Legends - Pegasus |
160 |
2:32 |
2,90 Mb |
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| 4 |
Prologue To The Symphonic Legends - Starships Of |
160 |
2:12 |
2,53 Mb |
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| 5 |
Prologue To The Symphonic Legends - Winds Of War |
160 |
5:55 |
6,78 Mb |
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| 6 |
Prologue To The Symphonic Legends - Sky Valley |
160 |
1:09 |
1,32 Mb |
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| 7 |
Prologue To The Symphonic Legends - The Wings Of |
160 |
2:55 |
3,34 Mb |
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| 8 |
Prologue To The Symphonic Legends - Until The End |
160 |
2:14 |
2,57 Mb |
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| 9 |
Prologue To The Symphonic Legends - Tod Und |
160 |
1:10 |
1,34 Mb |
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| 10 |
Prologue To The Symphonic Legends - E Lucevan Le |
160 |
1:39 |
1,89 Mb |
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| 11 |
Prologue To The Symphonic Legends - Starlight |
160 |
4:46 |
5,46 Mb |
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| 12 |
Aquila Suite - Aquila - The Eagle And The Rainbow |
160 |
2:02 |
2,33 Mb |
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| 13 |
Aquila Suite - Zephyrus - The Southwind - Je Reviens |
160 |
2:25 |
2,76 Mb |
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| 14 |
Aquila Suite - Endymion - The Eternal Sleeper |
160 |
2:25 |
2,77 Mb |
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| 15 |
Aquila Suite - Ballerina - Dance With Infinity |
160 |
2:53 |
3,31 Mb |
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| 16 |
Aquila Suite - Aprilis - Melting Snow Of The North |
160 |
1:45 |
2,00 Mb |
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| 17 |
Aquila Suite - Cygnus - The Swan Of The West |
160 |
3:58 |
4,55 Mb |
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| 18 |
Aquila Suite - Aeolos - Father Of Winds |
160 |
0:50 |
0,96 Mb |
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| 19 |
Aquila Suite - Flora - Bride Of The Summer Wind |
160 |
2:17 |
2,61 Mb |
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| 20 |
Aquila Suite - Boreas - Northeast Winter Wind |
160 |
1:54 |
2,17 Mb |
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| 21 |
Aquila Suite - Lethe - River Of Oblivion - Arpege |
160 |
4:18 |
4,92 Mb |
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| 22 |
Aquila Suite - Galatea - Daughter Of Oceans |
160 |
1:46 |
2,03 Mb |
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| 23 |
Aquila Suite - Aqua Vitae - Poseidon's Water Of Life |
160 |
2:19 |
2,65 Mb |
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News Arhive: Releases:50 Cent, Mando Diao, The Cape May |
50 CENT The Massacre (Shady/Aftermath/Interscope/Universal) On the strength of a multi-platinum debut record, 50 Cent got rich and didn’t die trying and now the chiseled superstar isn’t looking to mess with the formula. The Massacre beats the usual gangsta tropes to death — Fiddy will kill you if you mess with him, Fiddy’s got lots of money and Fiddy can get any "bitch" he wants. He does deserve credit for doing most of the heavy lifting — The Massacre is mercifully light on guest cameos — and for his charismatic command of the mic, but these skills are wasted on a record that celebrates street life without saying anything new about it. 50 FOOT WAVE Golden Ocean (4AD/Beggars) Someone once wrote that the holy trinity of rock is comprised of The Beatles, The Who and The Pixies. If Golden Ocean is any indication, then a career can be fashioned by aping just one of these triumvirates. 50 Foot Wave swipe The Pixies playbook wholesale, swapping Frank Black’s manic singing with Kristin Hersh’s (Throwing Muses, soloist) gravelly, Janis Joplin-gone-stark-raving-mad caterwauling. This is the antithesis of the punk ethos — instead of inspiration before musical talent, these guys deliver technical expertise with tired, retread concepts. It’s bands like 50 Foot Wave who make the recent Pixie reformation redundant. BELINDA BRUCE Dream Yourself Awake (Maximum/Universal) The first album from the Vancouver-based Belinda Bruce makes for a great campfire soundtrack, drifting along on gentle, unassuming melodies and low-fi intimacy. Bruce’s voice isn’t a powerhouse instrument, especially compared with a couple of certain Sarahs who traffic in the same kind of sound, but when it’s laid over softly-plucked guitars and brooding cellos it takes on a uniquely ethereal quality. Though it too often displays the singer’s maddening tendency to under-enunciate and murk up her lyrics, Dream Yourself Awake introduces Bruce as a master of grown-up lullabies and a worthwhile addition to the female singer-songwriter tradition. |
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